Saturday, April 29, 2017

Project: 35 Showers I Can't Remember

Currently I am obsessed with the idea of HSAM, or "Highly Superior Autobiographical Memory".  HSAM has only occurred in about 60 individuals, but these people have the power to recall almost any moment from their lives with the utmost clarity. As a normal human being, I do not posses this ability, but I started to think, "what if I could remember everything I did?" Showering is something I do each and every day, but I obviously don't commit individual shower experiences to memory. Why would I? What would be the point? Half the time, I can't even remember if I've already washed my hair or not 10 seconds after doing so!

As a human, I forget 99.9% of the moments in my life, because my brain deems these moments unworthy of memorization. Even though these thirty-five repetitive instances of me showering are pointless in the grand scheme of my life (sans butterfly effect), I find it sad that they, like so many other moments, are completely forgotten forever. With the power of photography, I have presented these otherwise disregarded shower sessions to you in visual form. 

I used my Nikon Df and 20mm f/2.8 Nikkor. The physical print is 48"x46". And yes, these really are 35 different showers on 35 different days. 




Wednesday, April 26, 2017

Plates: Journey (Continued)

Visiting home creates a brief flood of familiarity and nostalgia. Why do I still even call it home? I know I can't stay; all I can do is look and remember as memories flash by. I blink and I'm back in New Orleans. 

All made with a Nikon Df and 20mm f/2.8 lens.



 Evanston



 Wilmette



Chicago

Tuesday, April 25, 2017

Plates: The Ever Expanding Realm of the Shadowlands

I have not been focusing on my Shadowlands series for my upcoming critique; I have way too many other projects I have to finish up. That being said, I quite like these two Shadowlands plates I made recently. Both display the kind of shadow movement I've been striving for in this series. Each was made with my Nikon Df and 50mm f/1.4 D Nikkor Lens. 







Friday, April 21, 2017

Journey (Continued)

More abstracted commercial spaces I've visited lately. Cause who doesn't like STUFF?

All made with a Nikon Df and 20mm f/2.8 Lens.



Superstore


 Bookstore


 Antique Mall


 Flea Market


Another Antique Mall

Saturday, April 15, 2017

Spotlight: Pentax K1000



The Pentax K1000 is a 35mm SLR that was first introduced in 1976. With the bare minimum of features acceptable for the time, the K1000 was designed as Pentax's budget SLR, and the cheapest way to get into the (then new) K-mount system of lenses.

The K1000 has a fully mechanical shutter, and requires batteries only for the internal light meter. Speeds between 1 second and 1/1000th are selectable, along with a bulb setting for long exposures. The ISO speed (20-3200) is set by pulling up and twisting the shutter speed dial. The TTL exposure meter is of the match-needle variety, where you must change the shutter speed or aperture until the needle rests exactly between the + and - indicators in the viewfinder. It's worth nothing that neither aperture nor shutter speeds are viewable inside the finder, unlike with more expensive SLR models. Annoyingly, there is no switch to turn on or turn off the light meter. Either put a cap over the lens or take out the battery, otherwise the battery will drain. The focusing screen is bright with a microprism focusing assist, and is not interchangeable. The K1000 does not have a self-timer or aperture-preview lever.



While light on advanced features, the K1000 is a joy to use. It feels great to go out shooting with only the most basic of manual controls at your disposal. The K1000 demands you to think, and requires you to know the rules of exposure. This mandatory manual operation is why it's on the required materials list for just about every darkroom photography class in existence. I've bought and sold dozens of these cameras over the years on my Etsy page, but I've actually never used a K1000 until last week, after I found one in near-mint condition at a Chicago flea market.

The K1000's build quality is fantastic, as long as you buy an earlier model. The K1000 was produced for over twenty years, from 1976 to 1997. Cameras made between '76 and '90 have all-metal bodies, while models made after that have plastic top and bottom plates. Avoid these if you can. They are more prone to malfunctioning in my experience, and the cheap build makes them less pleasing to use. As a note, the cheaper, newer K1000's do not feature the "AOCO" (Asahi Optical Company) logo on the pentaprism.

The K1000 is a very dependable camera. It's rare that I come across one that doesn't function mechanically. However, there are a couple things you should watch out for when buying a K1000 for yourself. Firstly, always check the light meter. While the K1000 is mechanically reliable, it's pretty common for light meters to be broken in these cameras. Of course, you can always use an external meter if the internal meter is not functional; the camera will still operate just fine. The other issue you need to watch for is viewfinder degradation. K1000's (especially the aforementioned newer models) are prone to pentaprism de-silvering, which appears in the viewfinder as out-of-focus black blotches. Always make sure to take a close look through the viewfinder before making a purchase.

I took my K1000 up to Milwaukee on a day trip with my parents. All photos were made exclusively with a 50mm f/1.4 lens and Ilford HP5 film.








Pic taken by my dad


















Friday, April 14, 2017

Plate: One Year



I said goodbye to a friend today. Well, two friends. I dumped my old shoes in the trash for a new pair of kicks. Here's what one year of nearly exclusively wearing one pair of black Converse All-Star High-Tops will do. Yes, these are the same make, model, and color. One is simply aged. I used my Nikon Df with 50mm f/1.4 D Lens.

Saturday, April 1, 2017

Journey (Continued)

A new set of interiors from my series designed to abstract the memory of places I have been. Each photograph is made up of 4 separate exposures done in-camera. All made with my Nikon Df and 20mm f/2.8 Nikkor.