Wednesday, July 29, 2015

Roll: The Renaissance Faire 2015 (Part 1)

Katie and I went to the opening day of the Renaissance Faire two weeks ago. Like usual, we had an amazing time. Here are some photographs I took that day using my Pentax LX with a 50mm f/1.4 lens on Ilford Delta 400 film. Most of these photographs are from the drum rave/dance party that occurs near the end of every day. It had been raining and the sky was pretty overcast, so I had to shoot at around f2.8 in order to get a shutter-speed fast enough to freeze my subjects. Hitting the focus dead-on was difficult.

 Here are the rest of my photographs:

Bonus: The Shy Photographer!

I expect to bring a camera along a few more times during the season. Maybe I'll even get in on some Widelux action! :)

Saturday, July 25, 2015

Spotlight: Kodak Ektra

First released in 1941, the Ektra was Eastman Kodak's first and only attempt at creating a professional 35mm camera. Made to directly compete with Leica and Zeiss cameras, the Ektra had a lot of innovative features for its time. Unfortunately, its high introductory price of $300 (about $4,800 in 2015 money) combined with it being released alongside the second world war, led to the camera not selling well at all. It's estimated that fewer than 3,000 Ektras were ever made. Today, the Ektra is highly collectable, and a must-own for any Kodak enthusiast.

The rear. Notice the unique film advance lever and back-locking system

The Ektra sports a unique design, and most people refer to it as a "lefty camera". This is because all of the main controls (shutter release, film advance, shutter speed selector, focusing ring) are on the left side of the camera. Engineers set the controls up this way so the user could use his right hand for the sole purpose of supporting the hefty all-metal camera, and his left hand for operating the various levers and dials. In practice, it works surprisingly well!

Shutter release, speed selection, self timer, frame counter, focal length dial, and rangefinder diopter controls on the top plate

Kodak was very creative with the Ektra's design, and the camera sports a number of 35mm rangefinder "firsts". For instance, it's the first 35mm rangefinder to have a film advance lever, instead of the then-standard knob. The lever is oddly located on the back of the camera, and is of the double-stroke variety. A little window on the top plate is orange when the shutter is un-cocked, and turns to black when the camera is ready to fire. Along with the advance lever, the Ektra is the first 35mm camera to feature a rewind lever! It's also worth noting that on the Ektra, there is no rewind button that you have to press. Just lift up the folding rewind lever and go to town!

The bottom is home to the rewind dial and the film-back lock

The viewfinder on the Ektra was extremely innovative. As an example, it's the first viewfinder to have parallax compensation (The image in the viewfinder moves up and down depending on how close you focus). It's also the first multi-focal viewfinder on a 35mm camera; you can select any length between 50mm and 254mm via a dial on the top plate, and the viewfinder will display the correct field of view. There's a built-in diopter dial for both the viewfinder and rangefinder windows. Great for glasses wearers!

The interchangeable film back!

Perhaps the coolest unique feature of the Kodak Ektra is how it has interchangeable film backs. Yep, by twisting two locks on the front, and flipping one switch on the bottom of the camera, a darkslide covers the unexposed film, and the film back comes right off the camera body! You could have one back for color, and one for black and white. A few different backs were made, such as a back that had a ground glass back for through-the-lens focusing. Interchangeable backs are fairly common on medium format cameras, but extremely rare for 35mm cameras. Off the top of my head, I can't think of another 35mm camera that has this feature.

Ektras are difficult to find, and unfortunately nearly impossible to find in working condition, due to a notoriously unreliable shutter. I got lucky, and my Ektra is mostly operational. The shutter works and seems to be fairly accurate on the fast speeds (1/25 through 1/1000). I can't get the slow speeds (1/10- 1 second) to fire. The rangefinder works and seems to be accurate enough. I only have one lens: the 50mm f/1.9 Ektar. I put a roll of Ilford Delta 400 through the camera this week, and got some pretty decent results! Take a look:

I had a blast shooting with my Ektra. It's a fantastic camera, and an important piece of photographic history. Thanks for looking!

Wednesday, July 15, 2015

Print: The State Line Lounge

This well-worn armchair is in the sitting room of a large abandoned house off of State Line Road. The house is part of a homestead, complete with a barn, silo, and multiple small sheds. The entire place is completely overgrown; only the tip of the silo is visible from the road. I need to head back here sometime soon to document it further. I would have stayed longer on my first visit, but was scared off by a pickup truck that suddenly stopped not far away from where I was parked.

For this photo of the armchair, I used my Mamiya C330 with a 55mm Lens, on Kodak T-Max 400 film. The physical darkroom print is 10x10 inches.

The exterior of the house. Shot on my iphone.

Thursday, July 9, 2015

Print: The Way Out

This image was made inside an abandoned house in Gurnee, Illinois. It's the view from the living room, looking towards the front door to the inclosed porch. I used my Mamiya C330 with a 55mm lens. The physical print is 10x10 inches, and has more shadow detail than what this JPEG lets on.

Thanks for looking!